Mr Jobe, the present state of Gambian music is shameful, there is no group which can attract a decent home base crowd, Ifang Bondi apart there is no recognised live group; how do you think this dismal situation could be reversed?

Njok Malik

>From: Badou Jobe <[log in to unmask]>
>Reply-To: The Gambia and related-issues mailing list <[log in to unmask]>
>To: [log in to unmask]
>Subject: Re: Gambian Music History / Albert Harb - Ifang Bondi
>Date: Sat, 22 Mar 2003 19:47:37 +0100
>
>Pa Touray's passing away clearly triggers off an interest in the icons
>of Gambian music.
>Following below the (extended) contents of a private email sent before
>to Momodou Sidibeh, asking about Albert Harb, vocalist/saxophone & flute
>player/ composer of Ifang Bondi.
>I'll be glad to contribute any further details about the history of
>Gambian music.
>
>Badou Jobe/Ifang Bondi
>
>ALBERT HARB (1951 - 1993)
>Albert (aka Ali) Harb was a wonderful singer, saxophone & flute player
>and a gifted composer.
>He was born & grew up in Fatoto, where his father was a trader. As a
>result Ali was fluent in Fula and Mandinka, both the language and the
>traditional music.
>He got his musical training with the Police Band, the hotbed for many
>outstanding musicians, including Super Eagles/Ifang Bondi members Paps
>Touray, Edu Haffner, Pa Njie (bass), Samson Gassama.
>(Commander Nicol of the Police Band used to positively hate SE/IB for
>hijacking his best musicians!)
>
>Albert replaced saxophonist Modou Cham in 1974, when at the end of an
>Ifang Bondi tour in England Cham stayed behind.
>Albert soon became the 2nd front man next to Paps. His superb high tenor
>voice complemented Paps' grave baritone in a combination unmatched in
>African music (as showcased in "Sutukun" on the Saraba album)
>Apart from being an outstanding musician & composer - e.g. "Yolele" and
>"Nyano Faro" - Albert was also a wonderful person, the eternal
>peacemaker. His exceptional sense of humour & wittiness would make us
>helpless with laughter and made us again and again overcome hard times.
>With his talents, his great personality and his good looks he was
>everyone's darling, both with his colleagues and the audience.
>
>In the early 80s Ifang Bondi got hit by a boycott by the then regime
>after I categorically refused to swap our critical lyrics for songs
>praising the political leaders & their cronies. As a result public
>performance and airplay were denied to us (Ifang Bondi tapes in the
>radio archives still show the banning stickers).
>We had no other option than to go abroad. Albert headed for Ivory Coast
>while the core of Ifang Bondi - Pa Touray, Kunon Jarjutay, Karamo
>Sabally, Mawdo Sy and I myself - went to Europe were we recorded the
>beautiful album Mantra, the title song of which - for obvious reasons
>("Stop the tribalism, nepotism, opportunism") -
>never got airplay in The Gambia.
>
>In 85/86 we came back to The Gambia, and, joined by Albert, tried to
>perform again. Only to find out that the Ifang Bondi music with its
>critical lyrics was still very much unwelcome in our home country. So we
>
>focused on international tours and recorded the album "Sanjo".
>
> >From 89 on Albert came along on all our European tours, forming with
>Paps the most beautiful vocal duo to ever exist in African music.
>When Paps decided to retire in 1990 - tired of the hardship of touring
>and the strenuous demands of working on a new repertoire - Albert
>remained the only front man of Ifang Bondi.
>In 1993 he developed some lung problems and the doctor advised him to
>refrain from singing and playing flute & saxophone for a while. We
>decided to leave him in The Gambia so that he would be in good condition
>
>to come over for the recording sessions planned for the end of the year.
>
>In July, during a big concert in Amsterdam, Samson Gassama -just
>returned from The Gambia -told us Albert had very suddenly died. It was
>the hardest concert I ever had to play in my life: smiling to an
>ecstatic crowd whilst inside I was crying.
>
>Albert's family told us afterwards that he was in good shape, cheerful
>as ever and had died - completely unexpectedly but peacefully - in his
>sleep.
>His sudden death, at only 41 years of age, sent shock waves through the
>international African
>music community but was largely ignored in the Gambia.
>I dedicated the new album "Daraja" to him. I also wrote a tribute to
>Albert, "Kibaru", a re-working of a popular song Ali & I wrote together,
>
>which features as the first song on the following album "Gis Gis".
>
>Then 3 years ago I lost under tragic circumstances another one of my
>lifetime friends, drummer Malan Gassama. In the middle of a live radio
>show we did together on radio FM Malan collapsed and died on the spot of
>
>a heart attack. This was just after Malan told me he wanted to rejoin
>Ifang Bondi and we were very thrilled about the prospect of our renewed
>collaboration. So again the next album - a re-release of the original
>Super Eagles material - sadly featured an obituary...
>
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