Yes My cousin Haruna Oko Drammeh is living encyclopedia of African Creative Culture.
A book and may be an audiovisual documentary would surely help preserve his wisdom for future generations.
Let us just pray for good health and long live so that the project will be a reality.
There is a documentary about BEMBEYA JAZZ NATIONAL of LA Guinea. I would love to produce a documentary on own IFANGBONDI, SUPER EAGLES and other legends. But until 2015 I cannot take in new projects. Possibly afterwards.
The HALL OF FAME project is something possible, if not in Gambia but on the other parts of African you mentioned. Already there are pilot projects. The veteran Nigerian Filmmaker Chief Eddi Ugboma started a HALL OF FAME for Movie practitioners in Lagos. The former Director-General of Nigerian Film and Video Censors Board, Rosalinde Odeh has also started a museum called "Grotto Africa" to immortalize Africans.
Brother OKO, I agree with all your point. Your observations of the South Africans,British and French are also right.
Festivals are find but I am more bias towards the daily civilization package ( food, clothes, worldview, way of thinking, rituals, etc). Organizing and going to festivals once in a while might be good for short-term attention but for sustainable MENTAL DE-COLONIZATION, we need more authentic AFRICAN CONTENT in our daily lives.
Many Africans do no longer understand their culture. They would say "this and that is not part of our African culture." If you ask them what is African culture, they would not know the answer. Some would quote from the Bible or the Qur'an forgetting that they are NO ORIGINAL AFRICAN CULTURAL CONTENT.
Anyway, it is a long story.
Regards,
Prince B. Sankanu
********************
-------- Original-Nachricht --------
> Datum: Sat, 4 Dec 2010 09:53:24 -0800
> Von: oko drammeh <[log in to unmask]>
> An: [log in to unmask]
> Betreff: Re: PROCLAIMATION 6th of December (Pap Touray Day) -Tribute to Paps Touray 2010
> Culturally,............ English ex-colonies need a DE-Colonization from
> Colonial
> Mentality.
>
> Hard road to travel.
> Being an artists in Gambia, Ghana, Sierra Leone and Nigeria alined with
> the
> English National Culture is a Hard road to travel. The English have not
> much
> humor, and the areas of art in which they excel are few. Pop musaic yes,
> (the
> Queen had a stake in EMI records/making money with it), the Beatles,
> Rolling
> Stones , Elton John, Yes, but they have money to do this because they
> don't go
> to the moon. After what they have done to Africa, they are last in the
> race to
> the moon, heavy with sin.
>
> The French are adventurist, the fake, they act and not too deep ( not much
> quality since Hilter destroyed their moral in 1945) but they are in
> space, they
> are also in the front line of culture and can't let the English Hollywood
> rule
> the world for Amusement & Glamour, they have their own too). They have
> been
> subsidising the artistswith financing, advice, infrastructurs,
> communication and
> science in the areas of arts and music both at home and abroad. They
> subsidize
> Artists housing/home schemes equipped with instruments & recording
> studios),
> music schools, Art teachers, rehersal studios and training programs,
> equipment
> assistance, costumes, and maintenence and production staff. And the have
> people
> WHO HAVE DONE IT BEFORE to handle it. Not Civil servants but artists and
> musicians.
>
> Many may wonder why Senegalese- French artists Youssou Ndour is rich, even
> Thione Seck and not ex- Gambian-English - Musa Ngom or Paps Touray, Jaliba
> Kuyateh. The answer is simple, it's one ( YoussouNdour) is with a state
> support,
> subsidy & international aid through government instituitions and embassies
> support system and one, the Gambia witrh none of this, without
> representation............... D.I.Y
>
> (Do it yourself).
>
> THE ESSENCE OF THE ARTIST:
> GREASE THE FAITH OF NATIONHOOD, TO INCREASE NATIONAL PRIDE LEVELS, &
> UPHOLD OUR
> HISTORY TO INSPIRE US AND MOTIVE OUR SPIRITS OF JOY & SORROWS. REFRESHING
> OUR
> LIVES WITH SOUND WAVES ACCOMPANIED BY WORDS OF WISDOM AND
> HISTORY, LITERATURE
> ABOUT WHO WE ARE AS A PEOPLE AND AS A NATION. THE ARTIST IS OUR
> LIBERARY. WE
> MUST PRESERVE IT AND PROMOTE OUR HERITAGE.
> This our artists do everyday in the streets of the gambia!
>
> Without financial support to get rid of the daily livelihood (family
> security) support of housing, utilities,equipment, training facility,
> family
> support fee, manifestatation platforms and talent exhibitions, you can't
> make
> the right success formula.. All Gambian arttists are poor on a daily
> basis.
> whatever they do is to buy food ( Hand to mouth), pay rent, not much for
> medical
> and school fees and not much to give charity. They can't even show up at
> the
> mosque and in public because they have not much left to give. The called
> them
> non worshippers and befriended to They are being starved by neglegence and
> lack
> of knowing. Some are cosidering living in Exile as a strategic retreat
> before
> they look poor and die poor in the eyes of lesser committed citezens/
> civil
> servants who steal the resources of the nation and hold key jobs and yet
> blind
> to the arts and the entertainment economy.
>
> Only Fela Kuti did this on his own because we came from a wealthy family.
> He was
> born in an educated and prosrperous famuily.The rest did it for
> themselves, some
> members of Osibisa became English and could enjoy government support in
> the UK
> but that was not enough to cover the acitvity range of a music career. Now
> they
> enjoy their glory in South Africa at the invitation of Nelson mandela and
> Hugh
> Masekela (the Nkuramah boys).
>
> Hall of Fame is more likely in Dakar, Bamako, Congo, Burkina or Guinea,
> Togo,
> maybe Niger!
>
> South Africa stand aside,
> sometimes they look like they are not a part of the continent ( carried
> away bu
> buttered media grease).
> I can understand this, because the colonisers (both English 7 Dutch
> Afrikanners) wiped out the entire history and culture including music and
> art.
> The music and art in South Africa is shallow, they are in a renassaince,
> to
> re-disciver themselves (Whatevewr they do is fine, Kora Awards, Balafong
> Night,
> Djembe Throphy, its all good. This is light-weight and off-black,
> Europeans
> loves this and have a stake in it and they see their history and ethics in
> it.
> South african music, besides Hugh Masekela is partly Irish & Dutch.
> There are no
> African drums & percussion, partly churchish; always : Oh lord Oh lord,
> just
> like Senegal with Alla, Alla in all the songs. A people without culture is
> like
> a tree without roots.
>
>
> Culturally,............ English ex-colonies need a DE-Colonization from
> Colonial Mentality.
> England is good at dismantling cultures, yoiu can't turn back !
> Lets go back to Africanisation of our culture otherwise The USA & their
> Kenturky
> fried Rap music will come on us and their fake and misleading, fabricated
> and
> baked T.V impressions will hit us harder than the king James version.
>
> Wake up Everyone!
>
> Oko drammeh
>
>
>
>
> ________________________________
> From: Haruna Darbo <[log in to unmask]>
> To: [log in to unmask]
> Sent: Sat, December 4, 2010 5:14:48 PM
> Subject: Re: PROCLAIMATION 6th of December (Pap Touray Day) -Tribute to
> Paps
> Touray 2010
>
> Great ideas from Prince I.
>
> This guy is the hardest working Ellenite. Ace I think you should seriously
> consider Prince's ACTIONNABLE idea. African Artists Hall of Fame!!!!!!!! I
> think
> Prince I is really my cousin.
>
> Haruna. off to Cirque de soleil. I wish you two were here in Fort
> Oglethorpe.
>
>
> -----Original Message-----
> From: Bubacarr Sankanu <[log in to unmask]>
> To: GAMBIA-L <[log in to unmask]>
> Sent: Sat, Dec 4, 2010 3:56 am
> Subject: Re: Fw: PROCLAIMATION 6th of December (Pap Touray Day) -Tribute
> to Paps
> Touray 2010
>
>
> Thanks Brother Oko Drammeh,
>
> The IMMORTALIZATION of Pap Touray is long overdue.
>
> I pray for the day when the stories of SUPER EAGLES, IFANGBONDI (prove
> yourself)
>
> and others legendary groups find their places in our national school
> books.
>
> I am also hopeful that one day a HALL OF FAME for the "who is who" in
> Gambian
> Cultural and Creative Industries will become a reality.
>
> The departed "haudegens" will live in us.
>
> I will observe the Pap Touray Day.
>
> Prince B. Sankanu
> P.S. WE ARE CURRENTLY DOING RESEARCH FOR A MOVIE PROJECT ON "CAPT.
> THOMAS
> SANKARA." I WILL BE AT NEXT YEAR'S PAN AFRICAN FILM FESTIVAL (FESPACO)
> IN
> BURKINA FASO WHERE I WILL MEET PART OF MY PROJECT TEAM.
>
> FOR THE MUSIC SCORES (SOUND TRACKS) I WILL BE COLLECTING ENTRIES FROM
> SEASONED
>
> AFRICAN COMPOSERS AND MUSICAL ACTS. I HAVE YOU, TEJAY FAKOLI, ISMAEL LO,
> FRERE
>
> GUISSE, BEMBEYA JAZZ NATIONAL AND SOME MALIAN ARTISTES IN MIND.
>
> I HAVE YOUR CONTACT DETAILS. I WILL GET TO YOU IN EARNEST WHEN THE TIME
> COMES
> SO
>
> WE CAN ELABORATE ON THE DETAILS OF YOU AND YOUR CREW'S INPUT FOR THE
> SOUND
> TRACKS.
>
> KEEP UP THE PRICELESS WORK AS "AUTHENTIC CULTURAL AMBASSADOR OF AFRICA".
> I AM
> A
>
> KEEN FOLLOWER OF YOUR WORK.
> **********************************************************************
> -------- Original-Nachricht --------
> > Datum: Fri, 3 Dec 2010 07:41:00 -0800
> > Von: oko drammeh <[log in to unmask]>
> > An: [log in to unmask]
> > Betreff: Fw: PROCLAIMATION 6th of December (Pap Touray Day) -Tribute
> to Paps
>
> Touray 2010
>
> >
> >
> >
> >
> >
> >
> >
> >
> > Tribute to Paps Touray 2010
> >
> > by Oko Drammeh
> >
> >
> > PAPS TOURAY
> >
> > BORN : 6th of December
> >
> >
> > MAYHIS SOUL REST IN PEACE
> >
> > PROFESSION: Singer of the Famous African Jazz Band, Super Eagles Band.
> > Ifang
> > Bondi & the Great Soto Koto Band Africa’s most dynamic Voice, Singer
> > songwriter
> > & Founder of the Afro-Mandingo sounds & the Viva Super Eagles success
> Paps
> > Touray was a singer, a lead singer of the Gambian African Jazz in the
> > 60’s. He
> > is the son of Wolof Griot vocalist Marie Samuel Njie of Banjul. Marie
> > Samuel
> > Nice was a singing griot legend who composed songs for social harmony,
> > social
> > living, high society, politics, patrons of the arts, people’s
> hobbies
> > and life.
> > The late Marie Samuel used to carry Paps Touray on her back. As she
> did
> > with all
> > her children including the historian, narrator & troubadour musician
> and
> > singer
> > Alhagi Efri Mbye.
> >
> > Pap Touray started singing when he was a baby at the back of his mom
> and
> > never
> > stopped until he died on the 19th of May 2007in the city of Banjul.
> Paps
> > Touray
> > was the lead singer of the world famous Super Eagles band, which he
> formed
> > with
> > friend and brother Badou Jobe (guitarist & Bassist) to become the most
> > successful African Band and the runners up were The Bembeya Jazz of
> > Guineaand
> > The Ryco Jazz of Congo. This open heartedness and love for music
> always
> > forced
> > him to sing with others in duets, trios, quartets, and quintets. He
> was
> > free in
> > his heart and never eat alone. His songs were songs of joy and of love
> and
> > revolution. He composed the great Gambian music encyclopedia for
> beats,
> > rhythms
> > & melodies and harmonies.
> >
> > My Top 10 Great Songs of Paps are:
> > The Youth Song/ English
> > Halel Daii Maga, / Wollof
> > Ham Ham/ Wollof
> > False Love/ English
> > Saraba/ Wollof
> > Armageddon / Creole
> > Yolele/ Fulani
> > Atis Atis/ Jola
> > Duma Julo/ Mandingo
> > Gambia- Watoo Sita/ Mandingo
> > Gal Gi Demna Gauge/ Sererr
> >
> > Langauges : English, Fula, Jola, Creole, Sererr, Mandingo,
> >
> > All songs written by Pap Touray.
> >
> > Arranged by Senemie Taylor & Badou Jobe & Ifangbondi
> > © Daii Maga Partners/Promoter& Producer M. Oko Drammeh.
> >
> > www.sotokoto.tv
> >
> > "The best things in life are for free, the sun, the moon ,
> > the stars for everyone is all for free, the flowers ,
> > the birds that sing in the spring, all for free to everyone, thats the
> way
> > life
> > should be.
> > Money is not god and cannot be worship and used to judge history".
> > You either make it or Be it.
> > Paps
> >
> >
> >
> > Pap Touray composed poetry and musical verses and notation scores that
> > became
> > the yard stick for weight & dept in Gambian music that wasn’t in
> > Americamusic,
> > free from impersonation songs, copy western clothes and fashion style,
> > reject
> > imitations and copying others. With Ifangbodi, Paps set the creative
> > cultural
> > musical revelation in Africa. If any other jazz band, Ifangbandi
> opened
> > the eyes
> > of Osibisa, Fela Kuti, Salif Keita, Youssou Ndour, Mory Kante, Manu
> > Dibango &
> > Tour Kunda and Jimmy Cliff who came to The Gambai in search of
> Ifangbondi
> > and
> > traveled with the band to Dakar. Dollar Brand also visited the
> Gambiafor
> > musical
> > inspiration. The biggest visit was the American Jazz Band, King Oliver
> > Nelson
> > with his 32 piece big band performing in Banjul at the McCarthy Square
> > (July
> > 22nd Park), Santana almost made it here but he stayed in Cassamance.
> Taj
> > Mahal
> > was the last greats to visit the land of music, the Gambia, the birth
> > place of
> > the musical instrument the Kora.
> > Paps Touray started playing music at Foyer French school music hall
> until
> > cousin
> > Laba Sosseh introduced him to the rehearing band member of
> > Portuguese-Africa
> > Origin, natives of the Cape Verde Islandwho migrated to Banjul, St.
> > Louisand
> > Goree. They foyer Hall was in the heart of Wolof and Portuguese town
> ward
> > of
> > Banjul South. These musicians used non-electric instruments like
> bongos,
> > box
> > guitars, contra bass, clarinet, violins and vocal groups and solo
> singers.
> > This
> > is were the first song bird of Paris and all Europe was born, the lady
> who
> > conquered Paris after the American belly dancer Josephine Baker, Miss
> > Vicky
> > Blain of Dobson Street in Banjul Half-die. Vicky was Paps Touray’s
> best
> > friend.
> > They together sang on stage the famous Vicky Blain song Black as Night
> > which was
> > a huge success in Monte Carlo, Ibiza, Monacoand in downtown Paris.
> >
> > Pap Touray together Senemie Francis Taylor, Badou Jobe, Modou Cham,
> Oussou
> > Njie,
> > Charles Valentine, Malando Gassama, Edu Hafner Pa Lamin Drammeh and
> Alieu
> > Kah
> > first started the Super Eagles before breaking though into the global
> > music
> > business and music scene. With an original brand of sound called Afro
> > Manding
> > Sounds, the sounds revolutionized and a re-branded the name to be
> called
> > Ifangbondi meaning to “Show Your True Self”. The Afro Manding
> Sounds
> > was the Pan
> > African sound for African freedom fighters for ONEAFRICA. Global and
> yet
> > local.
> >
> > The success Ifangbondi brought was an Anchor more than fitness for all
> the
> > African bands pursuing the Pan African sound and since the market
> range of
> > the
> > Gambia was small , a country of 600,000 people by then, they brought
> > Senegal on
> > board a country of 10 million people, whose music had no originality
> and
> > direction because (of colonialism) most bands were white people from
> > France and
> > they were our neighbors, we integrated them into the music of the
> wolof,
> > the
> > Fula, The Jola and the Mandingos. Ifangbondi introduced modern music
> > instruments
> > sub region and teach people how to make tunes and chords to form
> musical
> > styles,
> > as well as electric instruments, synthesizers, the electric guitar,
> drum
> > set and
> > stage show appeal.
> >
> > Paps Touray and Ifangbondi migrated to Senegalto broaden their market
> > because of
> > a wider fan base to increase there income to start a music industry in
> the
> > Gambia. The Government at the time promised a piece of land at Tobacco
> > Road for
> > a multi purpose auditorium, recording studio and performance Arts
> > Centre.But
> > later through envy, jealousy and due to their fame and worldwide
> success
> > and
> > female fan appeal the officials did not like that, nor to see anyone
> > successful
> > and STAND OUT, totally liberated and free.
> >
> > They made a second request for land for a music school and music
> business
> > centre
> > but the application was rejected. The band was taking water to the sea
> and
> > that
> > is spending without returns or recognition within The Gambia. Facing
> > denials and
> > impossible situations and political harassment. Later in the year of
> 1981
> > Paps
> > Touray was arrested beaten and tortured and from that day on wards
> broken.
> > Asking god “What have I done, my lord”. They beat him and
> sentenced
> > him. He
> > later was released and he traveled to Europea free man but a lonely
> man in
> > because Gambiais all that he loves. Music was banned in the Gambiadue
> to
> > the
> > state of emergency in July 1981 and the band members took a strategic
> > retreat in
> > Europe.
> >
> >
> >
> > This was going to be our Hollywoodhad it had NOT been abandoned. By
> this
> > time we
> > would have been making CD players, DVDdisc at low cost and
> distribution
> > network
> > worldwide. We could have been distributing to Europe, Asiaand
> Americamusic
> > from
> > all over Africaprocessed, mixed, mastered in the Gambiaand sent all
> over
> > the
> > world.
> >
> > Ifangbondi was DENIED the rights to their VISION to start a music
> capital
> > in the
> > Gambia. The fabulous life of Pap Touray was more accepted in
> Senegaland in
> > the
> > UKthan in the Gambia.
> >
> > If any thing, there was a musical scene in The Gambia, instrument
> shops
> > and
> > repair studios, with a transport system and communication system
> > supporting the
> > music industry.
> > Ifangbondi opened an administrations office at: 20 Hope Street in
> Banjul
> >
> > and employed a secretary on pay roll, they employed technician and
> drivers
> > on
> > pay roll, the paid all salaries on time and support all promotion
> action
> > both
> > locally and internationally.
> >
> > They never condoned injustice.
> >
> > Ifangbondi & the Pan African Movement
> > Pap Touray was Paul Robeson, the great Black American Singer who
> advised
> > Kwame
> > Nkumarah, Jomo Kenyatta, I G Garba Jahumpa and Julius Nyerere that
> they
> > must go
> > back home and free Africa. Paul Robeson was awarded the Grand Order of
> > Russia by
> > Stalin and died in the USA in the early 60’s.Ifangbodi sang
> > Gambia-Zambia
> > calling for African to Unite way before Bob Marley & the Wailers hit
> the
> > road
> > wirth Africa Unite on theSurvival album.
> >
> >
> > Paps was a man of sport, national goal keeper or of the Gambia, a
> youth
> > leader
> > and a champion of workers rights in general. He was the fashion eyes
> of
> > Gambia
> > Ghana and Senegalwith great suits costumes, gloves, hats and sexy
> looks
> > that
> > killed all women all over the world. He was a REALSTARand the first
> > Gambian
> > Superstar.
> >
> >
> >
> > One day he left his work at the Police barracks the to attend the
> Gambia
> > workers
> > strike for salary increase and he was spotted singing “
> > we-shall-not-be-moved”
> > The next day he was dismissed from the police force and later that day
> he
> > went
> > to Dobson Street in Banjul to join the African Jazz under the later
> the
> > direction of Alhagi Chamsu Coker.
> >
> >
> > From African Jazz, he summoned the Eagles band with Malick Secka, then
> the
> > Super
> > Eagles with Solo Darboe, and then he started in London, England the
> world
> > famous
> > and the pride of Africa and The Gambia the Formidable Ifangbondi Band
> and
> > lastly
> > he went solo with the Soto Koto Band and recorded all his compositions
> > with
> > vocal instruments readings with the Higher Octave records of
> Hollywood,
> > California and recorded for Generations to come.
> >
> > Paps Touray A.K.A Abes, was an intellectual, and a flamboyant
> artist. He
> > had a
> > message and he never work for money but labored for love.
> >
> >
> >
> > He always said “money cant buy you love” and also money he don’t
> > want to keep
> > but only to pay bills and give away the rest to the needy. One needs
> money
> > when
> > the bills come, food to eat and life. Paps was real. His name will
> live
> > in the
> > lips of generations to come.
> >
> > May his soul rest in perfect peace.
> >
> > By Oko Drammeh,
> > Producer
> > & owner of Soto Koto Music & Recording company
> > www.sotokoto.tv
> >
> >
> > Source: (c) Picture: Pap Touray by
> > H.A.Fermate
> > Amsterdam
> > www.galleryfermate.com
> > DIED: 19th of May 2005
> >
> >
> >
> >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > To unsubscribe/subscribe or view archives of postings, go to the
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>
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