Thanks Cousin,
For the wonderful remarks. Like I said, all constructive criticisms are highly welcomed.
I initially closed the subject but the fact that I decided to write back shows how much grateful I am to the silent supporters, the silent critics, the loud critics, the skeptics, You, Uncle Sountou, Mawdo Maareme Laye, Mr. Jaiteh, Kukeh and all the others I cannot name vividly.
How can you be charging me fees when I will give YOU, YOUR BEAUTIFUL HOUSE AND STUFF FREE GLOBAL PUBLICITY in my motion pictures?
Brand Managers pay fortunes just to get their products/brands/messages placed in the movies. In most Hollywood movies you see an Apple Inc products smartly placed within the props.
If I SHOULD approach the Mafia they will give me the money, the security, the luxury cars and the fabulous villas FREE OF CHARGE and, the HOT LADIES to match: just to have their stories told in a professional way! They will also indemnify me and I will be under their protection. The good thing about the Mafia folks is that they honour their words as parties know the merciless consequences of a breach!! OF COURSE I AM YET TO APPROACH ANY MAFIA GROUP. I DO NOT KNOW ANY. I HAVE NO GANGSTER MOVIE PROJECT ON MY AGENDA ANY TIME SOON TO GET GANGSTER EXPERTISE/INPUTS!!
I will only pay extra fees for those who can provide me authentic NKO, HALPULAAR, SERER, JOLLOF, AJAMATU, KARONINKA, MANJAGO other native dictions, parables and related anthropological inputs. My Gambian-made films (works) will not compromise on THE USEFUL KAMBIYAN NATIVE LANGUAGES AND CIVILIZATIONS.
Possibly you and all interested folks can start nominating the Native Language and Cultural Experts I can possibly hire as consultants for film, stage and TV projects once I start operating in Gambia.
Thanks for the Valentine cool-off.
I reserved my Gambian flight for this first and second quarter. I hope Jammeh's Office will get back to me ASAP as hinted by the Government bureaucrats. Otherwise I will have to push the time slot till later - June/July or in the last quarter of 2012 when they are ready.
I HATE THE SLOW GOVERNMENT BUREAUCRACY. NO WONDER I CANNOT IMAGINE GLUING MYSELF ON AN OFFICE JOB UNTIL I BECOME FAT AND UGLY LIKE A HIPPOPOTAMUS!
No offence to the office cats here. Myeaaau! Hahahaha!
JEREJEF, XANAWARI, NDJARAMA, ALNINGBARA
Prince BA Sankanu
http://www.thegambiafilmvillagespc.com/
*************************************************
-------- Original-Nachricht --------
> Datum: Tue, 14 Feb 2012 19:57:55 -0500
> Von: Haruna <[log in to unmask]>
> An: [log in to unmask]
> Betreff: Re: Oh my Gosh Cousin. How many Gambia L members will allow me to shoot movies in their houses without their greenlights?
>
> Sorry Cousin Prince,
>
> I sense we are talking above each other's heads.
>
> I was speaking about the Design Competition and I thought that was what
> Kukeh was referring to when he made a jovial comment about your royalty. I
> will wait for survey drawings for that. I notice you will answer questions on
> that between the 23rd and 31st March 2012 on the competition.
>
> You have a great idea for a creative art village in Gambia. I have
> ultimate confidence in your entrepreneural aptitude to achieve your goals. I
> encourage you to learn about the experience of a Danish or Netherlands group, I
> forget which one, who is already involved in the creative arts in Gambia
> just for an all-round study of your project.
>
>
> Forgive me for not being clear enough and for bringing you any anxiety. I
> admire innovation and a get-up-and-go-do attitude. Always.
>
> Haruna. Happy valentine! Just for the fun of valentine's I will make a few
> comments on your notes below:
>
>
>
> [-----Original Message-----
> From: Prince Bubacarr A Sankanu <[log in to unmask]>
> To: GAMBIA-L <[log in to unmask]> Sent: Tue, Feb 14, 2012 5:40
> pm
> Subject: [G_L] Oh my Gosh Cousin. How many Gambia L members will allow me
> to shoot movies in their houses without their greenlights?] CPS.
>
> I would. Although I'll charge you a minimal fee. The last time I allowed a
> movie company to shoot in my yard, I charged $10,000/hr.
>
>
> [HAPPY VALENTINE TO EVERYONE.] CPS.
>
> Back at you men.
>
> [My Gosh Cousin Haruna,
> 1. If at all you carefully read my reply to Uncle Sountou, I made it clear
> that
> I started the Architectural Design and the formation of the "Gambian Film
> and
> Creative Industry Association (GAMFCIA)" collective bargaining arm without
> Jammeh's green light. I am not waiting for him 100%. The main commercial
> arm
> "Gambia Film and Creative Industry Development Company (GAFCVDC)" will be
> incorporated as Limited Liability Company once I am encouraged by the
> ground
> realities.] CPS.
>
> Yes I read that carefully and it was the architectural design part that
> interested
> me and that I thought Kukeh was referring to. I was intrigued by the
> investment
> part but when you mentioned Green Lights from Yahya, I lost interest in
> that part.
> I wouldn't conceive of investing a farthing in anything that is hinged on
> Yahya's
> blue lights.
>
> [2. DO CRITICS/SCEPTICS WANT ME TO DENY THE GAMBIAN REALITY?] CPS.
>
> And what is the Gambian Reality if I may ask Cousin Prince????
>
> [3. I AM NOT like the ordinary Gambians who can just go back and start
> something
> sensitive IN THE GAMBIA without even a cock crowing. SHOULD I DENY THIS
> REALITY?] CPS.
>
> I thought this is what you refer to as the Gambian Reality. I would call
> it The CPS Reality.
>
> [4. Political manoeuvring is part of the Creative Arts.] CPS.
>
> Aha!!
>
> [The US American creative talents manoeuvred during the Dictatorial
> McCarthy ERA.] CPS.
>
> I need a little bit more history on HOW they manoeuvred during the
> McCarthy era. If I were
> you Cousin, I'd stick to manoeuvering the idiot Yahya.
>
> [The Producers of the Mafia blockbusters THE GODFATHER, THE GOOD FELLAS
> and SCAR-FACE had to get the
> green light from some MAFIA BIG KIDS before dramatizing certain things -
> just to protect their cast
> and crew.] CPS.
>
> The keyword is BLOCKBUSTER. When I think of a Gambia creative arts
> industry, I don't think of
> Godfather, Scarface, and Lickety-Split Cous. I thought you were doing me a
> favor by nurturing a
> national creative arts industry in Gambia.
>
> [The MAFIA COMMUNITIES LOVE SUCH GANGSTER MOVIES ABOUT THEM. Just call
> them and they will give you
> all the support you need to make the gangster movie succeed.] CPS
>
> I agree with you Cous. And they will be able to maneouvre Yahya before you
> bat an eye. Have you
> called them yet? They might maneouvre yourself while they're at it.
>
> [They will even volunteer to add more spicy insider stuff.] CPS.
>
> Aha!!!!
>
> [I made reference to the upcoming USA movie on OSAMA BIN LADEN that is
> getting the greenlight from
> Obama's WHITE HOUSE.] CPS.
>
> I noticed you mentioned that. Heck I might even watch that movie just
> because President Obama has
> the Midas touch and he is a prophet of Haruna-Silo. And I don't even know
> who's making the movie.
>
> [Some Hollywood Filmmakers had to drop critical Chinese scenes in their
> movie and replace it with
> North Korean ones.] CPS.
>
> Yes, that was because China is growing an indigenous creative arts
> industry of their own and they do
> not look too kindly anymore to foreign artistic and cultural propaganda.
>
> [The producers of PEARL HARBOUR got the green light of the US Department
> of Defence.] CPS.
>
> Yes. Whenever a film producer uses proprietary information or shoots a
> film on private property,
> he/she must obtain prior permission. It is in the regime of intellectual
> property and demand and
> supply. The American Free enterprise system and superlative regard for
> individual human rights is
> to behold.
>
> [5. Why is it that Creative Talents are not having the courage to shoot
> powerful movies on Islam?] CPS.
>
> That says more about the courageless "Creative Talent" I suppose Cous. If
> I was creative enough to do
> a movie on anything, ain't no stopping me. And I'm sure no one can stop
> you either.
>
> [The movie THE MESSAGER (RESALLAH) on the Prophet of Islam by Mustapha
> AKAD was the last serious one.
> Mr. AKAD was bombed to death by Muslim Fanatics even though the movie
> showed only the positive sides
> of Islam and the mission of the Prophet.] CPS.
>
> Where did the bomb come from and who would want to bomb a "creative
> talent".
>
> [Latest efforts to produce a serious movie on the Qur'an were dropped as
> producers did not know which
> Islamic school of thought should give the unanimous green light without
> some fanatics going on rampage
> - bombing and beheading people.] CPS.
>
> Yes Cous Prince. Religion is a sensitive matter for many folk.
> Particularly to use someone's religion
> for personal financial gain. I say the producers should stick to one
> school of thought and make an
> animated film like our Laye did. That way they don't need anyone's
> permission. To make a movie about
> the Qur'An is borderline heretic unless it portrays the Qur'An the way the
> School of thought decrees.
> It is not a playing matter. The same goes for the Bible and the Fankanto
> of HarunaSilo. No body has
> license to engage in the commerce of a religion, creative talent or not
> Cous. WHy don't they write their
> own Holy book and produce a film about it if they are creative.
>
> [6. For my film on FGM (Adah- The Last Circumcision in Africa), I had to
> use the FATWA of the AL AZHAR
> UNIVERSITY against the practice to shield myself.] CPS.
>
> You exhibited remarkable consideration for whoever gave you the Fatwa.
> Although FGM is the purview
> of the F. And if done with care, and by a licensed practitioner, it is
> sensational.
>
> [Once I release it and the fanatics start complaining, I will use the Al
> Azhar Fatwa against FGM as
> my green-light argument.] CPS.
>
> You're a funny man Cous. You think fanatics have time to complain to you?
> They'll more likely bomb
> you and then complain later. You're not a serious man. Al Azhar
> Fatwa!!!!!!!!!!!! You need to hang
> around Rushdie some more.
>
> [I AM ALWAYS READY TO CHALLENGE TABOOS BUT I ALSO RESPECT CERTAIN RED
> LINES; NOT OUT OF COWARDICE but for
> self-protection and consideration of other innocent people's feelings.]
> CPS.
>
> Aha!! So let's apply this to prospective investors and participants in the
> Gambia Film Project Venture
> why don't we???
>
> [7. The Oliver Stones, Mac Zuckebergs, Steven Spielbergs, Steve Jobs, Bill
> Gates and company were able
> to make impacts thanks to the US GOVERNMENT of the day that created the
> enabling environment for them to
> thrive.] CPS.
>
> Does this mean you're thinking about telling Yahya that if he creates the
> enabling environment, Gambian
> creative talent will flourish????????????????????
>
> [Most of the technology from SILICON VALLEY and HOLLYWOOD are spin-offs
> from the Defense Advanced
> Research Projects Agency (DARPA) of US Department of Defense, NASA and
> similar government innovation
> programmes.] CPS.
>
> I hate to tell you this Cous but you're preaching to the choir of basic
> research and infrastructure. So
> The Gambia government (regardless of who is governor) is best advised to
> invest in basic research and
> infrastructure to enable a thriving citizenry.
>
> [The US NATIONAL ENDOWMENT FOR THE ARTS (NEA) is green-lighting projects
> of creative talents every day.]
> CPS.
>
> The NDEA does not greenlight COus. They establish funding criteria and
> underwrite works that interest
> them.
>
> [8. My Gosh, I want to start something with high-impact in JAMMEH'S
> GAMBIA, not OBAMA's USA,
> WADE'S SENEGAL or JONATHAN'S NIGERIA.] CPS.
>
> Yes. You want to engage in a for-profit venture private enterprise and you
> need Yahya's grace and the
> confidence of investors. I see nothing wrong with that Cous.
>
> [9. People can say whatever they what.] CPS.
>
> I wouldn't worry about what people might say about my private partnership
> or venture.
>
> [There are certain aspects of the VALUE CHAIN of the Creative Project that
> I am working on without
> Jammeh but there are others in which I will have to go through him - if
> within the jurisdiction of
> The Gambia.] CPS.
>
> I know. You better get started already.
>
> [10. One cannot even take innocent pictures in the neighbourhood State
> House, July 22nd Square,
> Airport, etc., without getting arrested.] CPS.
>
> No COus. You gotta be kidding!!!!!!! What?? Get arrested for taking a mere
> picture of a building?
>
> [The Nigerians who shot MIRROR BOY in Gambia got Jammeh's green light to
> shoot at the AIRPORT,
> HOTELS and other exclusive locations that the average Gambians cannot
> access easily.] CPS.
>
> Ok. And Nigerians own the courts in Gambia too. So if a Nigerian can get a
> green light from Yahya
> I see no reason why you shouldn't be able to. If you don't ask him you'll
> never know you know.
>
> [The Nigerian slapped the Ghanaians with minimum green light fee to shoot
> on locations in Nigeria.
> The Ghanaians retaliated.] CPS.
>
> OK. So they were even. And nobody got hurt I hope.
>
> [11. The standard practice is that you need some kinds of
> PERMIT/GREENLIGHT to shoot or work in
> certain locations. This is the REALITY of the creative industry.] CPS.
>
> This is true even if it weren't in Yahya's Gambia. I will require you to
> get a permit if you're
> going to make a movie in my neighborhood. Forget Yahya. And my permits
> don't come cheap.
>
> [In my BACKFIRE movie I got the greenlight from the City Authorities of
> Cologne to use and block
> a road for a scene.] CPS.
>
> You're funny Cous. I got this Sarahule cousin of mine. Guess what he told
> me? When he was getting
> married, Yahya provided his wedding party a motorcycle escort. I thought
> the idiot was sharing
> his wife with Yahya. Go figure. And he didn't have to get a permit for
> that. This Yahya is a big
> idiot. I would've charged my cousin up the wazoo for even thinking of a
> presidential escort when
> he is not president. If he wants that, let him run and win the presidency.
> I hope the cologne police
> put on well-pressed uniforms. In America, you can pay the Sheriff's
> department or it can be included
> in the permit fee.
>
> [I also needed the green light from the NEIGHBOURS of the road due to the
> heavy activity of the
> cast and crew!] CPS.
>
> You're lucky they didn't charge you for the inconvenience. Talk about
> doubting Thomases and Kys.
>
> [The scene in which I played the JANITOR would not have been there that
> way without the owner of
> the APPROPRIATE/SUITABLE villa giving me the green light to trample on his
> flowers and lawn!] CPS.
>
> I think I saw a clip of that scene. You were wonderful in that. I didn't
> see you trample on his
> flowers and lawn. I think you're due a refund Cous. These homeowners will
> take you to the cleaners.
> Better watch out for them.
>
> [The alternative option would have been through GREEN STUDIO and
> compositing.] CPS.
>
> Wait a minute what is GREEN STUDIO Composting Cous???????????? This is
> what I say about you talking
> over Ky's head.
>
> [12. HOW MANY KAMBIYA L BANTABA KAFOMOLU will let me shoot movies in their
> beautiful houses, cars,
> gardens, shops or offices without their PRIOR GREEN LIGHTS?] CPS.
>
> I will. But it'll cost you a pretty penny. And no you're not gettin in my
> car, shop, or office for
> no movie shooting. At whatever price.
>
> [If for example one of their sons or daughters fits the characterization
> of my particular film, will
> they allow me to give him or her the role without their PARENTAL GREEN
> LIGHT - especially when the
> movie is about a sensitive/controversial SOCIAL TABOO?] CPS.
>
> I don't have any taboos and engaging my children in your movies can only
> be done via a separate
> contract to consider royalties. I'm not sure you can afford to have my
> kids in a movie Cous. I know
> you're loaded but you haven't seen my kids either. They command premium
> fees even for extra roles.
> Hollywood baby. No Bollywood, Nollywood, or Ellenwood.
>
> [13. I am neither an amateur, semi-professional nor a novice in the
> Creative Industry. PLEASE.
> In the film and creative business, I feel comfortable like a FISH IN
> WATER.] CPS.
>
> I know. I'm keeping up with your work Cous. I think you have great talent
> and potential. I say if
> Yahya doesn't pick up the phone and call you to grant you a green light,
> he can go to hell. I
> wouldn't lick his black arse if I were you.
>
> [14. I believe am wasting my time patiently repeating myself over and over
> here.] CPS.
>
> That's what I was getting you to realize Cous. And you're repeating
> yourself over matter that is of
> interest to only you. I don't need a green light from Yahya or Juwara. You
> do!
>
> [For everything else, when I am in Gambia, the reality will work.] CPS.
>
> I know it will.
>
> [Thank Uncle Sountou, should I need mediation, I will surely raise the
> alarm and approach the people
> you nominated. But for now I want to try my direct formal and informal
> approach that I already started
> Nawari] CPS.
>
> Wait a minute Cous. You're thanking Suntou and you're not thanking
> me??????? I made Suntou what he is.
> Don't try to be upset with me. Who in here can have this much fun with
> you? I want you to know I read
> your competition notes on Maafanta and I visit your website to keep up
> with developments. I do advise
> you to remove that indemnity clause in there regarding the Design
> competition. It scared me a bit.
>
> Haruna.
>
> -------- Original-Nachricht --------
> > Datum: Mon, 13 Feb 2012 21:48:05 -0500
> > Von: Haruna <[log in to unmask]>
> > An: [log in to unmask]
> > Betreff: Re: Serious Filmmaking costs money but I am not a day dreamer,
> folks!
>
> > Cousin Prince, I was gonna ignore your rants in explanation because I
> > don't think anyone is asking you for any explanations. You don't owe it
> to
> > anyone either. However I thought I caught a glimpse of something that
> might
> > afford us a teachable moment:
> >
> > Tell me, how can I cooperate with The Gambia Government (national and
> > technocratic) without accepting the reality of passing through the
> Sheikh
> > Professor (political and security)? If Jammeh does not give his
> > GREENLICHT,
> > should I commit suicide by entering the Gambia like that? The risks with
> > Jammeh's green-light is better than the risk without his green-light as
> > global
> > witnesses will be in the picture. How many people will volunteer to go
> and
> > take
> > the risks on my behalf on the ground.
> >
> > Being in the Creative Arts industry, If creating the art is dependent
> on
> > a GREENLIGHT from your fellow man, is that art worth creating????? The
> > other options you mention are inutile; committing suicide, forcing your
> way
> > into Gambia at risk of life and limb, someone else volunteering to risk
> life
> > and limb on your behalf, etcetera.
> >
> > Please do not tell me about another artist like Stone, Spielberg,
> > Zuckerberg, Jobs, Gates, or Kukeh. I am not interested in them as far as
> this
> > conversation is concerned. Remember, I am not saying whether you can
> produce a
> > film, documentary, movie, or a play, and I am not interested in how much
> it
> > will cost or where the money will come from. My patience with you is
> > wearing thin. Kukeh was not doubting you and neither was I. He was
> making a
> > valuable and constructive criticism and that was because you are
> soliciting
> our
> > participation in a design competition. There was no need to expand that
> > into unnecessary banter.
> >
> > We are not interested in Nollywood or the German film funds. Neither are
> > we interested in whether the project will get off the ground or approved
> by
> > Yahya. That is between you and Yahya. Here's what we are interested in:
> >
> > If you're soliciting our participation in a design of this scale and
> > scope, that must incorporate local geography and culture,
> >
> > 1. Give us a friggin location or survey drawings of the prospective
> > location.
> > 2. Give us a description of the local culture - Traditions and Industry
> of
> > the local folk.
> > 3. Tell us exactly what the prizes are and exactly what the deadlines
> for
> > submission are.
> > 4. Tell us exactly when the drawing is.
> > 5. Tell us what the prizes are.
> >
> > You're simply talking too much Cousin Prince and you're imagining that
> you
> > have enemies even before you begin your project. That is not healthy
> men.
> > At the extreme, Kukeh is just speaking in jest. Focus on what you want
> to
> > achieve Cousin Prince. You have wonderful ideas but if you're suspicious
> of
> > all Gambians except Yahya, then you may not benefit from their our
> ideas.
> > We could just keep our mouths shut you know. And please don't come to
> Ellen
> > to tell us about Nollywood and The German Film Fund. Really we're not
> > interested.
> >
> > Don't disappoint me men.
> >
> > Haruna.
> >
> >
> > -----Original Message-----
> > From: Prince Bubacarr A Sankanu <[log in to unmask]>
> > To: GAMBIA-L <[log in to unmask]>
> > Sent: Mon, Feb 13, 2012 2:59 pm
> > Subject: [G_L] Serious Filmmaking costs money but I am not a day
> dreamer,
> > folks!
> >
> >
> > Excuse typos:
> >
> >
> > Thanks Uncle Sountou et al,
> >
> > I believe I have patiently done enough humane explanations.
> >
> > In my competition notice I wrote MULTI-MILLION DOLLAR and MULTI-YEAR
> > PUBLIC
> > PRIVATE PARTNERSHIP...." Is this not self-explaining?
> >
> >
> > I think the skeptics are taking me for a DAY DREAMER who did not do his
> > homework! I know such such kinds of crazy adventures could be beyond
> the
> > imagination of some people (going to the mood, building Suez and Panama
> > Canals,
> > wiring the world with telegraphic cables, etc). But this is not the
> first
> > and it
> > will not be the last to face doubting Thomases.
> >
> >
> > For sure many people are hungry to know how much my Gambia Film Village
> > Project
> > will cost and who will pay for it. MY LIPS ARE SEALED ON THE EXACT
> > DETAILS. If I
> > should sign a CONFIDENTIALITY AGREEMENT, no one should expect me to
> break
> > this
> > agreement before he or she takes me serious or join me!!
> >
> >
> > I need the Cost Implication from the ARCHITECTURAL DESIGN, then I will
> > prepare
> > the business plan with details of the costs. This is how far I can talk.
> >
> >
> > With Nollywood I have been part of it since 2004 and I know the
> > nitty-gritty
> > there. The typical Nollywood movie costs between 15,000 and 50,000USD.
> > Here in
> > Germany you need minimum 200,000 Euros (two hundred thousand Euros) for
> > low
> > budget and there are federal and state film funds to tap from. My film
> > BACKFIRE
> > cost 400,000 (four hundred thousand) Euros minimum to shoot.
> >
> >
> > Again on Nollywood, The Nigerian Federal Government has set aside 200
> > Million
> > Dollars (two hundred million) for the industry. I am a stakeholder in
> > Nollywood
> > I can tap into this fund if I want to because I meet the criteria.
> >
> >
> > There are other non-Gambian funding sources for my Gambian Film Village
> > Project
> > to make me LESS dependent on Jammeh and Co. There is not title
> competition
> > here.
> >
> >
> > Tell me, how can I cooperate with The Gambia Government (national and
> > technocratic) without accepting the reality of passing through the
> Sheikh
> > Professor (political and security)? If Jammeh does not give his
> > GREENLICHT,
> > should I commit suicide by entering the Gambia like that? The risks with
> > Jammeh's green-light is better than the risk without his green-light as
> > global
> > witnesses will be in the picture. How many people will volunteer to go
> and
> > take
> > the risks on my behalf on the ground.
> >
> >
> > Anybody with better ideas (building a film village in The Gambia and
> > by-passing
> > Jammeh) is free to share them. I am open to constructive thoughts.
> >
> >
> > I shot a movie on FEMALE GENITAL MUTILATION titled "ADAH the last
> > circumcision
> > in Africa." It cost USD50,000 (Fifty thousand United States) as it was
> > shot on
> > location in Nigeria with Nigerian stars in 2008. I am not yet releasing
> > it for
> > market and sensitivity reasons. I intend to screen it in The Gambia and
> > give
> > copies to the GAMCOTRAP ladies for their campaign.
> >
> > If I screen the movie in The Gambia without problem (FGM is sensitive
> > topic in
> > Gambia), I will have the motivation to do more. I have other movies on
> my
> > portfolio (TEARS IN AFRICA on child trafficking, AGONY GIRL on rape,
> > BACKFIRE on
> > excessive jealousy, to name a few). They will all come out when the
> market
> > is
> > ripe for me. For now the Nigerians are spoiling the market and I have to
> > work on
> > my other alternative distribution channels.
> >
> > I am an Art House Filmmaker focusing on social taboos but I am open to
> > compromises both political and commercial. One favorable political film
> on
> > President Jammeh (fiction, biopic or documentary) for example cannot
> > overshadow
> > my five or ten movies on THE VOICELESS members of our society.
> >
> > Critical Director OLIVER STONE made a favorable political film on FIDEL
> > CASTRO
> > of Cuba (Il Commandante, 2003). This cooperation with a "dictator" did
> not
> > affect Mr. Stone's credentials as he has more critically-acclaimed
> movies
> > in his
> > portfolio (Wall Street, JFK, you count the rest).
> >
> > I am not jumping and trying to MOVE A MOUNTAIN OVER NIGHT.
> >
> > My moves and risks are very well calculated.
> >
> > The least people can do is to tell my CONSTITUENTS,I mean the WOMEN, to
> > keep
> > praying for me. Then if anything happens, they will miss my honour,
> > stubbornness
> > and machoism. Good girls love stubborn boys. My movie on FGM is
> dedicated
> > to
> > them. Hopefully I will screen it at the CIF Festival am planning in
> Gambia
> > as
> > part of my film village project.
> >
> > Am the marmite man!
> >
> > I think I have done enough explanations. Now let me just reserve my
> flight
> > to
> > The Gambia and be on the standby for Jammeh's green-light. Actions speak
> > louder.
> >
> > Warmest,
> >
> > Prince BA Sankanu
> > http://www.thegambiafilmvillagespc.com/
> >
> >
> ***************************************************************************
> >
> >
> >
> >
> >
> > -------- Original-Nachricht --------
> > > Datum: Mon, 13 Feb 2012 18:23:56 +0000
> > > Von: suntou touray <[log in to unmask]>
> > > An: [log in to unmask]
> > > Betreff: Re: Thanks Uncle Soutou. The End justifies the Means. Jammeh
> is
> > free
> > to take credit!
> >
> > > Prince
> > > A very revealing response. The Dr Malanding as I said is a cultural
> > > man, he will come to see the dreams of a man become reality some day.
> > > As a good speaker of Malinke yourself, we have an adage which states
> > > "tabulo kaa sen kuumena, woo bantale" (the event that, a sacred drum
> > > is beaten for is a done thing).
> > > We also say that, "Ninsi menfa muu biti, wooman binakala sumansi"
> > > Henceforth, the big idea will become our Gambian success.
> > >
> > > One thing though, the accountant in me worries about the sums involve
> > > in creating a film village. Unless, it is a small scale budget film
> > > which may involve a couple of million Dalasis. To put the nagging
> > > questions of sceptics to bed, the set up cost alone requires some good
> > > sums. Wouldn't that be an issue should the government be unwilling to
> > > cheap in?
> > > I know my other rich nephew like to escape with soucy dramas, will he
> > > be contributing to the first ever Gambian made film? I mean, the one
> > > and only Masoud.
> > > Secondly, Dr Jaiteh and other sceptics like him may also want you to
> > > give them a background of your experience in movie or film making.
> > > Have you had any relation with the Nollywood directors, producers etc?
> > > I will be thrill to watch a Prince Sankanu produce film. Dr Jammeh
> > > will welcome the big idea, however, if things pick up, there the
> > > problem will begin. If Prof. Jammeh can pay Nollywood guys some good
> > > money to make a film, what about our noble Prince?
> > > Thanks
> > > Suntou
> > >
> > > On 2/12/12, Prince Bubacarr A Sankanu <[log in to unmask]>
> > > wrote:
> > > > Excuse the typos:
> > > >
> > > > Uncle Soutou,
> > > >
> > > > Thanks and all the incoming good advice and criticisms are HIGHLY
> > > WELCOMED.
> > > >
> > > > As I said the end justifies the means. The Kanilai Farmer is free to
> > > take
> > > > the credit for my film industry (GAFCV) project as part of his
> > "economic
> > > > super power plans."
> > > >
> > > > Even if he wants the Film Village to be located in Kanilai, no
> > problem.
> > > The
> > > > most important thing is that I have our film industry on the ground.
> > > >
> > > > I am not lobbying for Government job or contract. He and the sharks
> do
> > > not
> > > > understand the film business. So even if they hijack or sabotage it,
> > it
> > > will
> > > > not ruin me.
> > > >
> > > > The reality is that with such kinds of projects one needs Government
> > > > support. Hollywood has always been getting US Government backing to
> > grow
> > > and
> > > > the practitioners managed to use AMERICAN PATRIOTISM, WAY OF LIFE
> and
> > > > AMERICA DREAM as successful business models, regardless of who is
> the
> > > > President of the day.
> > > >
> > > > Blockbusters like PEARL HARBOUR and countless ones before it would
> not
> > > have
> > > > succeeded without the regular full backing of the US Deparment of
> > > Defence.
> > > > The current movie project on the killing of OSAMA BIN LADEN is being
> > > > supported by Obama's White House in one way or the other. There are
> > > other
> > > > examples.
> > > >
> > > > Film is being used by other countries to promote their SOFT POWER,
> > > CULTURE
> > > > and COMPETITIVE INTELLIGENCE. The Chinese Authorities are supporting
> > > their
> > > > film villages of Shangai and Hong Kong, the Japanese are doing it.
> The
> > > South
> > > > Koreans are on it. The Indian Authorities have been doing it. The
> > > Nigerian
> > > > Federal Government is also responding to the needs of Nollywood.
> > > >
> > > > I need not mention EUROPEAN COUNTRIES like Germany and France that
> > have
> > > long
> > > > established public-private partnerships in film industry
> development.
> > > >
> > > > I have been in touch with a lot entities and they told me they can
> > best
> > > > cooperate if I operate from a developing country as the Western
> > markets
> > > are
> > > > getting saturated. As a patriot, I decided to give our Gambia the
> > first
> > > > shot. If it does not work, I will move to another developing
> country.
> > > >
> > > > Of course the women will support me. They constitute the biggest
> > market
> > > for
> > > > showbiz and creative products. I will make tailor-made products
> > (films,
> > > TV
> > > > drama, stage, etc) for their taste.
> > > >
> > > > Over time, I am sure more people including the usual doubting
> Thomases
> > > could
> > > > come on board when they like. Let me just prove myself first by
> > carrying
> > > the
> > > > cross to Golgotha without pestering any Peter. By then all the
> SAFETY
> > > FREAKS
> > > > who want to come in when things are safe could participate.
> > > >
> > > > The only thing keeping me away from Gambia is the GREENLIGHT FROM
> THE
> > > OFFICE
> > > > OF THE PRESIDENT. Nothing works in the Gambia wihout Jammeh's okay
> > > nowadays.
> > > >
> > > > The Government officials from the various ministries who have been
> in
> > > touch
> > > > with me behind-the-scenes told me they are waiting for THE ORDER
> FROM
> > > HIM
> > > > before I can fly down for firm commitments and ground operations.
> > > >
> > > > I am already in procress of creating THE GAMBIA FILM AND CREATIVE
> > > INDUSTRY
> > > > ASSOCATION (GAMFCIA) as an umbrella collective bargaining group. The
> > > > constitution is being processed and hopefully my mid-March 2012 the
> > > > registration with the Attorney-General's Chambers, National Council
> > for
> > > Arts
> > > > and Culutre, National Youth Council, etc., will be concluded so that
> > it
> > > can
> > > > be launched by the time I join my pioneer team on the ground.
> > > >
> > > > Already Gambians who are in some form of audio visual profession in
> > > Europe
> > > > and USA have expressed interest in being part of my project. But am
> > not
> > > > forcing or begging them.
> > > >
> > > > A GENUINE PRINCE DOES NOT BEG. The fact that I am working on the
> > > > architectural design and the GAMFCIA collective bargaining group
> > without
> > > > waiting for President Jammeh's greenlight, proves that I am not
> > begging
> > > him.
> > > >
> > > > I will repeatedly emphasise the benefits of my Gambia Film Village
> > > (GAFCV)
> > > > Project to his HIS IMAGE and our Cultural/Creative Economy in the
> > medium
> > > and
> > > > long-term without the irrational praise-singing and begging. My
> > > vocabulary
> > > > will be guided by official protocols on the ground.
> > > >
> > > >
> > > >
> > > > NAWARI,
> > > >
> > > > Prince BA Sankanu
> > > > http://www.thegambiafilmvillagespc.com/
> > > >
> *********************************************************************
> > > > -------- Original-Nachricht --------
> > > >> Datum: Sun, 12 Feb 2012 12:52:46 +0000
> > > >> Von: suntou touray <[log in to unmask]>
> > > >> An: [log in to unmask]
> > > >> Betreff: Re: OK.Time is the best judge for GAFCV Project. Not
> > keyboard
> > > >> banter
> > > >
> > > >> Go our only resident Prince, my own Nephew. Don't mine the Dr
> > > >> Malanding, after all, what does he know bout film making? You are
> the
> > > >> key protocol in Africanising the African movie industry, so if the
> > > >> renown and famous Dr expresses sceptism, tell him, send your
> > > >> suggestions and fears, after all, he is a resident of a reputable
> > > >> University, he knows folks in the film and drama studies academic
> > > >> domain.
> > > >> I will say go Prince, but as you said, you need some diplomatic
> > > >> wrangling to do first.
> > > >> Our Imdominable Lion, the Bridge Builder King of the Jammeh dynasty
> > > >> requires lobbying and some much anticipated praising b4 the Prince
> > can
> > > >> even lay the foundation bricks.
> > > >> I recommend you speak to the Gambian German ambassor with a letter
> of
> > > >> Praise and a page lenght of accodalades of all the Def-lopments and
> > > >> Pat-iotism of His excess-lency.
> > > >> After the letter is publish on the DO, then the project is borne.
> > > >> Meanwhile, The good Dr is a nice fella, he is down to earth for
> real,
> > > >> a cultural man at heart. He will support the agenda. I am not sure
> of
> > > >> Laye Bamba though, his desert dwelling open his mind to deep
> > thinking,
> > > >> I enjoy his poetry quiet frankly. But backing a film industry
> > > >> initiated by a Prince is another question.
> > > >> Good luck and well, the women will back you all the way.
> > > >> Suntou
> > > >> On 2/9/12, Prince Bubacarr A Sankanu
> <[log in to unmask]>
> > > >> wrote:
> > > >> > Whatever Folks,
> > > >> >
> > > >> > TIME IS THE BEST JUDGE AND NOT KEYBOARD BANTER.
> > > >> >
> > > >> > LET US PRAY TO LIVE LONG. I MADE MY STANCE KNOWN AND I WILL NOT
> BEG
> > > >> ANYONE
> > > >> > TO TAKE ME SERIOUS OR SUPPORT OR JOIN ME.
> > > >> >
> > > >> > LET US JUST LIVE LONG AND THE REALITY TEST WILL PROVE ME RIGHT OR
> > > WRONG.
> > > >> > When the pioneers of Hollywood decided to transform an abandoned
> > > >> > chicken/poultry farm into a film village, they are not taken
> > serious.
> > > >> >
> > > >> > So who am I to claim accolades, perfection, glorification and
> > > >> recognitions
> > > >> > at this early stage of a risky adventure?
> > > >> >
> > > >> > I made my points known to all and sundry and the topic is closed
> > for
> > > me
> > > >> for
> > > >> > now.
> > > >> >
> > > >> > AM DEDICATING MY TIME ON G.A.F.V.C. PROJECT BEHIND-THE-SCENES AND
> > ON
> > > MY
> > > >> > PLANNED VISIT TO THE GAMBIA FOR CONCRETE MEASURABLE ACTIONS.
> Safely
> > > >> arguing
> > > >> > on a keyboard in Europe or USA will not prove anything.
> > > >> >
> > > >> > Thanks for the constructive criticisms. I am emboldened to prove
> > > myself
> > > >> to
> > > >> > no one but to myself!
> > > >> >
> > > >> > Warmest,
> > > >> >
> > > >> > Prince BA Sankanu
> > > >> > http://www.thegambiafilmvillagespc.com/
> > > >> > http://www.thegambiafilmvillagespc.com/
> > > >> > **********************************
> > > >> > -------- Original-Nachricht --------
> > > >> >> Datum: Thu, 9 Feb 2012 11:11:53 -0500
> > > >> >> Von: Malanding Jaiteh <[log in to unmask]>
> > > >> >> An: [log in to unmask]
> > > >> >> Betreff: Re: Fwd: Maareme Laye. This URGENT message for
> Malanding
> > > >> Jaiteh
> > > >> >> on GL failed!
> > > >> >
> > > >> >> Haruna,
> > > >> >> I think you are being too nice to your cousin Prince. Gambia-l
> can
> > > >> >> sometimes be the proverbial bantaba where folks can speak loud
> > just
> > > to
> > > >> >> be heard from home. If Mr. Sankanu wants to be taken seriously
> he
> > > has
> > > >> to
> > > >> >> separate his role as a royal from that of a enterprising film
> > maker.
> > > >> The
> > > >> >> idea of a GAFCV may be great but his "Reputation" or "Royalness"
> > > means
> > > >> >> very little to those whose contribution he seeks.
> > > >> >>
> > > >> >> Malanding Jaiteh
> > > >> >>
> > > >> >> On 2/8/2012 10:07 PM, Haruna wrote:
> > > >> >> > Cousin Prince,
> > > >> >> >
> > > >> >> > I think Kukeh is concerned about the competition because if he
> > > were
> > > >> to
> > > >> >> > participate and go through the rigamarole of satisfying the
> > > >> >> > requirements of the competition (vague at best - and therefore
> > > >> >> > costly), you are still relying on the benevolence of Yahya to
> > > >> actually
> > > >> >> > have a drawing for the competition. I know you call that RISK
> in
> > > your
> > > >> >> > eminent wisdom, but I would suggest you not take risks for
> > risk's
> > > >> >> > sakes. There are good risks and bad risks. As an entrepreneur
> > > >> >> > extraordinaire, I say this competition is premised on a VERY
> BAD
> > > >> RISK.
> > > >> >> > It is too costly for the competitor to rely on fancy.
> > > >> >> >
> > > >> >> > Settle down about what folk may think about you or that folk
> may
> > > >> think
> > > >> >> > you're after their farthings and put together a coherent
> > proposal.
> > > If
> > > >> >> > anybody can do it, I know you can cousin Prince. It is just
> that
> > > when
> > > >> >> > you seek the participation of other in any project, you have
> to
> > > put
> > > >> >> > serious and considerate effort in fashioning their perceptions
> > and
> > > >> >> > desire. This is whether or not they pay any money.
> > > >> >> >
> > > >> >> > Haruna. Just a word of advice.
> > > >> >> >
> > > >> >> > -----Original Message-----
> > > >> >> > From: Laye Jallow <[log in to unmask]>
> > > >> >> > To: GAMBIA-L <[log in to unmask]>
> > > >> >> > Sent: Wed, Feb 8, 2012 7:46 pm
> > > >> >> > Subject: [G_L] Fwd: Maareme Laye. This URGENT message for
> > > Malanding
> > > >> >> > Jaiteh on GL failed!
> > > >> >> >
> > > >> >> > ---------- Forwarded message ----------
> > > >> >> > From:<[log in to unmask]
> > > >> >> <mailto:[log in to unmask]>>
> > > >> >> > Date: Wed, Feb 8, 2012 at 3:28 AM
> > > >> >> > Subject: Maareme Laye. This URGENT message for Malanding
> Jaiteh
> > on
> > > GL
> > > >> >> failed!
> > > >> >> > To: A Jallow<[log in to unmask]
> <mailto:[log in to unmask]>>
> > > >> >> >
> > > >> >> >
> > > >> >> > Maareme Mawdo Bamba Laye,
> > > >> >> >
> > > >> >> > Good Morning. It seems as if I should take a break from
> posting
> > to
> > > >> >> > Kambiya L. The delivery of my messages to Gambia L is failing
> > > >> >> > repeatedly.
> > > >> >> >
> > > >> >> > Can you kindly share/forward the following message to
> Malanding
> > > >> Jaiteh
> > > >> >> > and Gambia L. My email delivery to G L failed again.
> > > >> >> >
> > > >> >> > The subject is: "Mr. Malanding Jaiteh, it is just for the
> > records.
> > > I
> > > >> >> > am not asking anyone for money!"
> > > >> >> >
> > > >> >> > -------- Original-Nachricht --------
> > > >> >> > Datum: Wed, 08 Feb 2012 10:19:59 +0100
> > > >> >> > Von:[log in to unmask]
> > > >> >> <mailto:[log in to unmask]>
> > > >> >> > An:[log in to unmask]
> > > <mailto:[log in to unmask]>
> > > >> >> > Betreff: Mr. Malanding Jaiteh, it is just for the records. I
> am
> > > not
> > > >> >> > asking anyone for money!
> > > >> >> >
> > > >> >> > Dear Mr. Malanding Jaiteh,
> > > >> >> >
> > > >> >> > As Mawdo Maareme Laye explained, there was delivery error. I
> > sent
> > > the
> > > >> >> > message below on my GAMBIA FILM VILLAGE PROJECT for the record
> > of
> > > >> >> > Gambia L members but it failed several times. So I approached
> > the
> > > >> List
> > > >> >> > Manager as required by common sense. I also "cc'd" it to
> others
> > > who
> > > >> >> > received theirs.
> > > >> >> >
> > > >> >> > Like I made it clear for even the BLIND MAN to see, I am NOT
> > > asking
> > > >> >> > for money from anyone.
> > > >> >> >
> > > >> >> > All I am asking is for ARCHITECTS to submit their ideas. I did
> > not
> > > >> >> > also ask any architect to pay me any registration free or
> > advance
> > > >> free
> > > >> >> > or any thing in that direction.
> > > >> >> >
> > > >> >> > The winners will receive their prizes during a festival am
> > working
> > > >> on.
> > > >> >> > I am just waiting for confirming from The Gambia Government
> > > (Office
> > > >> of
> > > >> >> > The President) on the dates of the festivals, MOU, etc., and
> > then
> > > >> >> > whole world will know about it.
> > > >> >> >
> > > >> >> > I DO NOT NEED ANY ONE'S BUTUT HERE. Sorry if I appear to be
> > aloof.
> > > >> >> >
> > > >> >> > Once the architectural competition is over, I will complete
> the
> > > >> >> > Business Plan and then meet the RIGHT offline funding
> > > >> sources/partners
> > > >> >> > FACE TO FACE and not via emails.
> > > >> >> >
> > > >> >> > The project is about MY REPUTATION and I am very CAREFUL OF MY
> > > >> ACTIONS.
> > > >> >> >
> > > >> >> > It is also MY BABY. I will not let any lazy dog sabotage it.
> > This
> > > is
> > > >> >> > why I am taking the trouble of informing everybody at this
> > nascent
> > > >> >> > stage.
> > > >> >> >
> > > >> >> > No one here or on related online media can tell me in due
> course
> > > that
> > > >> >> > he or she was not aware of my modus operandi and intentions.
> > > >> >> >
> > > >> >> > Alingbara.
> > > >> >> >
> > > >> >> >
> > > >> >> > Prince BA Sankanu
> > > >> >> >
> > > >> >> >
> > > >> >> > -------- Original-Nachricht --------
> > > >> >> > Datum: Tue, 7 Feb 2012 14:49:34 -0500
> > > >> >> > Von: Malanding Jaiteh<[log in to unmask]
> > > >> <mailto:[log in to unmask]>>
> > > >> >> > An:[log in to unmask]
> > > <mailto:[log in to unmask]>
> > > >> >> > Betreff: Re: [G_L] Fwd: THE GAMBIA FILM VILLAGE SPC PROJECT-
> FOR
> > > THE
> > > >> >> RECORDS
> > > >> >> >
> > > >> >> > Bamba Laye,
> > > >> >> > I do not want to be all over the messenger but is this some
> > kind
> > > of
> > > >> >> > hoax or what?
> > > >> >> >
> > > >> >> > Malanding Jaiteh
> > > >> >> >
> > > >> >> >
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >> > To unsubscribe/subscribe or view archives of postings, go to
> the
> > > >> >> > Gambia-L Web interface
> > > >> >> >
> > > >> >> > ***************
> > > >> >> >
> > > >> >> > --
> > > >> >> > -Laye
> > > >> >> > ==============================
> > > >> >> > "With fair speech thou might have thy will,
> > > >> >> > With it thou might thy self spoil."
> > > >> >> > --The R.M
> > > >> >> >
> > > >> >> >
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >> > To unsubscribe/subscribe or view archives of postings, go to
> the
> > > >> >> Gambia-L Web
> > > >> >> > interface
> > > >> >> > at:http://listserv.icors.org/archives/gambia-l.html
> > > >> >> >
> > > >> >> > To Search in the Gambia-L archives, go
> > > >> >> to:http://listserv.icors.org/SCRIPTS/WA-ICORS.EXE?S1=gambia-l
> > > >> >> > To contact the List Management, please send an e-mail to:
> > > >> >> > [log in to unmask]
> > > >> >> <mailto:[log in to unmask]>
> > > >> >> >
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >> >
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ To
> > > >> >> > unsubscribe/subscribe or view archives of postings, go to the
> > > >> Gambia-L
> > > >> >> > Web interface at:
> > http://listserv.icors.org/archives/gambia-l.html
> > > >> >> >
> > > >> >> > To Search in the Gambia-L archives, go to:
> > > >> >> > http://listserv.icors.org/SCRIPTS/WA-ICORS.EXE?S1=gambia-l To
> > > contact
> > > >> >> > the List Management, please send an e-mail to:
> > > >> >> > [log in to unmask]
> > > >> >> > <mailto:[log in to unmask]>
> > > >> >> >
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >> >
> > > >> >>
> > > >> >>
> > > >> >>
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >> To unsubscribe/subscribe or view archives of postings, go to the
> > > >> Gambia-L
> > > >> >> Web interface
> > > >> >> at: http://listserv.icors.org/archives/gambia-l.html
> > > >> >>
> > > >> >> To Search in the Gambia-L archives, go to:
> > > >> >> http://listserv.icors.org/SCRIPTS/WA-ICORS.EXE?S1=gambia-l
> > > >> >> To contact the List Management, please send an e-mail to:
> > > >> >> [log in to unmask]
> > > >> >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >
> > > >> >
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> > To unsubscribe/subscribe or view archives of postings, go to the
> > > >> Gambia-L
> > > >> > Web interface
> > > >> > at: http://listserv.icors.org/archives/gambia-l.html
> > > >> >
> > > >> > To Search in the Gambia-L archives, go to:
> > > >> > http://listserv.icors.org/SCRIPTS/WA-ICORS.EXE?S1=gambia-l
> > > >> > To contact the List Management, please send an e-mail to:
> > > >> > [log in to unmask]
> > > >> >
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> >
> > > >>
> > > >>
> > > >> --
> > > >> www.suntoumana.blogspot.com
> > > >>
> > > >>
> > >
> >
> ¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤
> > > >> To unsubscribe/subscribe or view archives of postings, go to the
> > > Gambia-L
> > > >> Web interface
> > > >> at: http://listserv.icors.org/archives/gambia-l.html
> > > >>
> > > >> To Search in the Gambia-L archives, go to:
> > > >> http://listserv.icors.org/SCRIPTS/WA-ICORS.EXE?S1=gambia-l
> > > >> To contact the List Management, please send an e-mail to:
> > > >> [log in to unmask]
> > > >>
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