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eileen mcnamara <[log in to unmask]>
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AAM (African Association of Madison)
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Mon, 16 May 2005 10:54:47 -0500
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** Please visit our website: http://www.africanassociation.org **

African Studies Program Summer Film Festival




A Glimpse into Silent Spaces: Forests, Rooftops, and Prisons



7:30 pm, Thursday, June 30 through Thursday, July 14, 2005


Room 1230 Grainger Hall




975 University Avenue, Madison



Silence de la forêt (Forest)  June 30, 7 :30 pm

93 minutes, 2003, Cameroon / Central African Republic/Gabon
Directors: Bassek ba Kobhio and Didier Ouénangaré. In Diaka, French and 
Sango with English subtitles.

Hunter-gatherers in the Central African Republic, the BaAka (also called 
Pygmies) have been exploited and demeaned by Europeans and by other 
Africans. In this film a European-educated African, Gonaba, who believes he 
should liberate the BaAka, discovers that the road to enlightenment can 
lead into, as well as out of, the forest.



Bab el-oued city   July  7, 7:30 pm

93 minutes, 1994, Algeria.  Director: Merzak Allouache. In Arabic with 
English Subtitles.

Boualem is a young man who works the local bakerys graveyard shift in the 
Bab El-Oued district of Algiers. One morning, shortly after the bloody 
riots of October, 1988, he commits an unthinking act which jeopardizes the 
entire district: Unable to stand the noise from one of the many rooftop 
loudspeakers broadcasting the propaganda of a local fundamentalist group, 
he rips the speaker out and throws it away. The extremists, led by Said, 
regard this act as deliberately provocative and aim to make an example of 
the culprit.



Karmen Geï    July 14, 7:30 pm

82 minutes, 2001, Senegal. Director: Joseph Gaï Ramaka,.  In French and 
Wolof with English Subtitles.

Karmen Geï is about the infinite desire for freedom and the laws, 
conventions, languages, the human limitations which constrain that 
desire.  Karmen transgresses every convention legal, cultural and 
moral.  In one of his boldest strokes, director Joseph Gaï Ramaka makes 
Karmen bisexual.  She escapes from prison through her lesbian relationship 
with the warden.  Then she wrecks the marriage and career of a police 
officer by making him her lover and co-conspirator in a smuggling 
ring.  This film goes beyond tourist exoticism; Karmen Geï possesses a 
sexual magnetism thats more femme vivre than fatale.







These events are free and open to the public.

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