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Subject:
From:
Kelly Pierce <[log in to unmask]>
Reply To:
VICUG-L: Visually Impaired Computer Users' Group List
Date:
Sat, 7 Jun 1997 07:40:05 -0500
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TEXT/PLAIN
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TEXT/PLAIN (169 lines)
from the New York Times


      June 6, 1997

     Digital Nation

      By JASON CHERVOKAS & TOM WATSON Bio

Electronic Publishing Alters
Very Definition of the Book

     W hen Amazon.Com -- the avatar of online booksellers -- set up
     display spaces at the American Booksellers Association Book Expo
     show in Chicago last week, many folks in the book business took it
     as the harbinger of a new era. The Chicago show is traditionally
     where publishers show their wares for sellers, not the other way
     around.

     [INLINE]

                             From Pulpless.Com
       ______________________________________________________________

     But in the button-down world of the book business, times have
     changed dramatically. Once frightened by the prospect of hawking
     books online, publishers are now embracing the Net for retail and
     marketing purposes. Offering a book online was once thought to
     threaten traditional relationships with retailers and to lead to
     mass piracy. Now publishers have even begun offering fans advance
     chapters of blockbuster titles over the Net.

     But away from the headline-grabbing clash of titans -- Amazon.Com
     vs. Barnes & Noble -- a quieter but more radical brand of Internet
     booksellers has gone to work. Blurring the lines between publisher,
     packager and seller, these companies offer digitized versions of
     publications --everything from science fiction novels to textbooks
     to cook books -- in plain text, portable document format or
     hypertext markup language (HTML).

     Some of the books are licensed from big publishers. Some are
     published electronically for the first time. Some of these
     electronic publishers are making available work that has long been
     unavailable. And, perhaps most radically, some of these new
     electronic publishers and booksellers are offering consumers the
     opportunity to create their own books -- picking several chapters
     from one cookbook, linking them to several chapters from another
     cookbook from an entirely different publisher, and paying piecemeal
     for a downloadable, custom-created cookbook that need be printed
     only if the consumer chooses to print it.

     It's the kind of publication-on-demand system that the book
     industry has been mulling for years, one in which publishers either
     shift the cost of printing to the consumer or only pay for printing
     at the time of sale. And it's a trend that could change the nature
     of how we define the word "book." Either way, it certainly gives
     new meaning to the phrase "out of print."

     "We are literally building a new distribution channel from
     scratch," said Glenn Hauman, founder of BiblioBytes, a New
     Jersey-based company that has been offering downloadable books
     since 1993. Where Hauman has been most successful has been in
     niches that cross over most closely with the demographic profile of
     the Internet surfer -- science fiction in particular.

     In fact, BiblioBytes recently brought back into availability The
     Glass Teat, the sci-fi cult writer Harlan Ellison's musings on the
     impact of television on American culture. Hauman's electronic
     reprint found an audience in part because there is an active Usenet
     fan discussion group devoted to Ellison's work.

     [INLINE]

                               From BookAisle
       ______________________________________________________________

     "Every lifestyle, every niche with a Usenet group seems like it has
     a corresponding book," said Steve Potash, president of OverDrive
     Systems Inc., a Cleveland-based company that packages electronic
     books and offers electronic editions of books for sale through its
     six-month-old BookAisle site.

     The fragmenting, and increasing niche focus, of the publishing
     industry has actually played into the hands of the electronic book
     packager/publisher/seller, Potash said. While the Net can be a
     useful marketing tool to sell Tom Clancy or John Grisham titles, it
     can also be a viable distribution platform for making niche books
     profitable by reducing the cost of production and promotion.

     BookAisle offers titles from big publishers like McGraw Hill, but
     it also allows small publishers and authors the ability to sell
     books in formats like Adobe Acrobat's PDF or even the Web's HTML.

     "If someone wants to put out a book title they can upload an HTML
     edition at almost no cost," Potash said.

     But both Potash and Hauman -- and other pioneers like J. Neil
     Schulman, who sells his own books and other titles through his
     Pulpless.Com -- realize they're still in the extremely early days
     of the book's radical electronic evolution. And there are major
     hurdles to be leaped if printless text publishing is going to move
     from protozoan to pachyderm.

     Take Hauman's BiblioBytes for example. Business has been a struggle
     for his small, homegrown, undercapitalized company. Hauman
     negotiates a straight, old-fashioned rights acquisition for an
     electronic edition of the book. The rights acquisition is
     complicated by the fact that often no one owns the kind of rights
     Hauman is interested in acquiring.

     Then either he or the publisher has to do the equivalent of a
     prepress design job from a hard copy of the book or from computer
     desktop publishing files. For books that only exist in print form,
     scanning and optical character recognition software help, but books
     still need to be proofread and packaged for one or more electronic
     system.

     It sounds like reinventing the wheel, and in some ways it is. But
     by shifting production, publication, distribution and marketing of
     books online, these pioneers are shifting the economics of the book
     business. With lower costs, the number of books that authors or
     publishers need to sell to make money is relatively low.

     Further, paperless publishers can offer services to publishers,
     authors and customers that traditional publishers and retailers
     can't provide. For example, BiblioBytes will soon offer authors
     password-protected access to online royalty statements calculated
     in real time every time BiblioBytes sells a book.

     OverDrive will soon offer an interactive version of John Wiley &
     Sons' CPA examination training books. Accountants in training will
     be able to quiz themselves and get answers in real time. OverDrive
     is also already offering "componentized" books. Right now,
     educators can buy parts of different books and educational
     resources when they're assembling course materials from certain
     publishers.

     OverDrive's Potash looks forward to a day when consumers can
     assemble their own books, buying component parts from different
     books from various publishers at the price of a few dollars per
     component.

     If all this sounds like a radical reinvention of the book and a
     grave challenge to the old-fashioned publishing house model, it is.
     And while computer hobbyists have shown a willingness to buy titles
     and download them from the Net, it remains to be seen whether a
     broad consumer base will want to download books and print them.

     On the other hand, a decade ago few publishers would have been
     willing to admit that any kind of electronic online publishing and
     sales would ever become a mainstay of the book business.

     "I had these exact same conversations 10 years ago with legal
     publishers," Potash laughs. " 'If I put that book on diskette it
     will affect my print sales,' they said. Now they have the books in
     any form they can. They just see it as additional bottom-line
     revenue."


    Jason Chervokas & Tom Watson at [log in to unmask] welcome your
    comments and suggestions.
       ______________________________________________________________


                 Copyright 1997 The New York Times Company
     _________________________________________________________________

                           100% Digital 0% Hassle

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