Subject: | |
From: | |
Reply To: | VICUG-L: Visually Impaired Computer Users' Group List |
Date: | Thu, 9 Jul 1998 15:33:08 -0700 |
Content-Type: | TEXT/PLAIN |
Parts/Attachments: |
|
|
From: IN%"[log in to unmask]" "Bill Pasco" 8-JUL-1998 22:13:53.92
To: IN%"[log in to unmask]"
CC:
Subj: descriptive video
Return-path: <[log in to unmask]>
Received: from phnxpop1.phnx.uswest.net by rio.maricopa.edu
(PMDF V5.0-8 #18699) id <[log in to unmask]> for
[log in to unmask]; Wed, 08 Jul 1998 22:13:47 -0700 (MST)
Received: (qmail 16375 invoked by alias); Thu, 09 Jul 1998 05:13:25 +0000
Received: (qmail 16358 invoked by uid 0); Thu, 09 Jul 1998 05:13:24 +0000
Received: from bdialup215.phnx.uswest.net (HELO default) (207.225.165.215)
by phnxpop1.phnx.uswest.net with SMTP; Thu, 09 Jul 1998 05:13:24 +0000
Date: Wed, 08 Jul 1998 22:05:56 +0800
From: Bill Pasco <[log in to unmask]>
Subject: descriptive video
To: [log in to unmask]
Message-id: <[log in to unmask]>
MIME-version: 1.0
X-Mailer: Mozilla 2.02E-US202 (Win95; U)
Content-type: text/plain; charset=us-ascii
Content-transfer-encoding: 7bit
Delivered-to: [log in to unmask]@fixme
>
> Perhaps a middle road is in order. The NFB at times has a point about
> being independent. However, if their attitude were followed to its
> logical conclussion, then we would have no canes, braille, adaptive
> equipment or much else. This is a contridictory premise.
>
> On the other hand, what a movie manufacturer spends on a film would
> astound you. Money is spent, and lavishly, on some of the most amazing
> things. In the grand scheme of things, the cost of preparing and
> including descriptive video during the final production of the film,
> would be nearly invisible. In addition, it would create still another
> job for a scriptor, a voice talent, and an engineer or two.
>
> Any resistance the film industry might put up is more related to having
> to change than any real financial burden. Since the film industry
> admits openly how left leaning it is, it would seem a natural for it to
> find a social conscience on the subject of captioning and description.
>
> Bill Pasco
|
|
|