Subject: | |
From: | |
Reply To: | |
Date: | Sat, 1 Jan 2000 11:59:21 -0500 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
Sorry, I'm really bad at photo docs of anything but my legally required
treatment reports. Something about looking at the world through that little
eyepiece I could never stomach. I think it's the esthetisizing requirement,
the need to transform boundryless reality into a rectangular format, to
compose, restrain, judge, select. I just can't do it. George Santayana (I
think) wrote that the artist was the Whatever remains of most my life
resides within the rapidly deteriorating
-----Original Message-----
From: Jack C. Thompson <[log in to unmask]>
To: [log in to unmask]
<[log in to unmask]>
Date: Saturday, January 01, 2000 7:44 AM
Subject: Newby/Italian millwheel
>>From: Mark Rabinowitz <[log in to unmask]>
>
>> I once spent a long weekend working with a group of blacksmiths in the
>>hills of Tuscany changing their waterwheel.
>
>
>If you have some jpegs of the wheel, I'd be interested in seeing them.
>
>Scaling up from 4 ft. to 8 ft. is an interesting exercise (and I am
>running the floats in the correct direction for rotation.)
>
>Thanks,
>
>Jack
>
>Jack C. Thompson
>Thompson Conservation Laboratory
>Portland, Oregon
>USA
>
>503/735-3942 (voice/fax)
>
>http://www.teleport.com/~tcl
|
|
|