What's wrong with his mail box?  My dogs tell me that mail boxes are
perfectly good urinals.

-jc

On Dec 3, 2004, at 3:53 PM, Pamela S. Follett wrote:

> Well, cuz, yano, he's gotta go pee every once in a blue moon, at the
> artful
> urinal.
> ----- Original Message -----
> From: "John Callan" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Friday, December 03, 2004 15:18
> Subject: Re: [BP] Department of the InTerrier
>
>
>> You mean he's NOT at the mailbox?
>>
>> -jc
>>
>> On Dec 3, 2004, at 2:27 PM, Pamela S. Follett wrote:
>>
>>> Hmmm - Virtual BP violin lessons.  Ralph should go stand by his
>>> mailbox and
>>> wait for the checks to come rolling in.
>>>
>>> - Pam
>>> ----- Original Message -----
>>> From: "John Callan" <[log in to unmask]>
>>> To: <[log in to unmask]>
>>> Sent: Friday, December 03, 2004 14:34
>>> Subject: Re: [BP] Department of the InTerrier
>>>
>>>
>>>> Cuyler,
>>>>
>>>> I didn't know you played the violin?!  And apparently VERY well.
>>>>
>>>> I need a teacher!  Preferably one who's not too sensitive about the
>>>> time between lessons and practices, or the lack of progress.  You
>>>> might
>>>> be just the one I was looking for!  At least until we figure out
>>>> that
>>>> the technology exists to do this in real time.
>>>>
>>>> There is an exhibit I know, that has a beat up old violin with the
>>>> strings aged and dangling.  The card reads something to the effect
>>>> of,
>>>> "This is a violin similar to the ones the pioneers brought with them
>>>> to
>>>> ..."  I always found it offensive because, 1.  This was supposed to
>>>> be
>>>> a real honest to goodness professional museum, 2.  These were
>>>> supposed
>>>> to be real honest to goodness serious profession exibit people and
>>>> 3.
>>>> Its not that F'n Hard to find a real GD mid 19th century fiddle and
>>>> present it in the condition it would have been in when played!  But
>>>> then, I'm easily offended.
>>>>
>>>> -jc
>>>>
>>>> On Dec 3, 2004, at 1:18 PM, Cuyler Page wrote:
>>>>
>>>>> I find it increasingly appropriate to think of museum exhibits and
>>>>> historic
>>>>> restorations as "performance art".   They exist temporarily due to
>>>>> artificial (art) subjective choices by individuals (professionals)
>>>>> who
>>>>> attempt to express what they believe (profess) about life's
>>>>> patterns
>>>>> through
>>>>> the work that is left for others to see, appreciate, and reflect
>>>>> on.
>>>>>
>>>>> cp in bc
>>>>> (( player of the dulcian, performing the "Sonata Prima" (1626) by
>>>>> Buonamente
>>>>> for two violins, dulcian and continuo; and Monteverdi's "Scherzi
>>>>> Musicale a
>>>>> Tre Voci" (1607) this weekend.   The temporal nature of music is
>>>>> such
>>>>> a good
>>>>> reminder of the temporal nature of anything we do.   It exists
>>>>> while
>>>>> you do
>>>>> it, and during a concert, you only get one chance at it (and have
>>>>> to
>>>>> live
>>>>> with the results). ))
>>>>>
>>>>> --
>>>>> To terminate puerile preservation prattling among pals and the
>>>>> uncoffee-ed, or to change your settings, go to:
>>>>> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>>>>>
>>>>
>>>> --
>>>> To terminate puerile preservation prattling among pals and the
>>>> uncoffee-ed, or to change your settings, go to:
>>>> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>>>>
>>>
>>> --
>>> To terminate puerile preservation prattling among pals and the
>>> uncoffee-ed, or to change your settings, go to:
>>> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>>>
>>
>> --
>> To terminate puerile preservation prattling among pals and the
>> uncoffee-ed, or to change your settings, go to:
>> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>>
>
> --
> To terminate puerile preservation prattling among pals and the
> uncoffee-ed, or to change your settings, go to:
> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>

--
To terminate puerile preservation prattling among pals and the
uncoffee-ed, or to change your settings, go to:
<http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>