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Subject:
From:
"Pamela S. Follett" <[log in to unmask]>
Reply To:
Pre-patinated plastic gumby block w/ coin slot <[log in to unmask]>
Date:
Sat, 4 Dec 2004 09:10:14 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (139 lines)
That's why it says, "Don't hold your breath" in the fine print.
----- Original Message -----
From: "Jim Follett" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Friday, December 03, 2004 21:37
Subject: Re: [BP] Department of the InTerrier


> I kept failing this one, couldn't hold my breath long enough to pass the
> final exam.
>
> -----Original Message-----
> From: Pre-patinated plastic gumby block w/ coin slot
> [mailto:[log in to unmask]]On Behalf Of Pamela S.
> Follett
> Sent: Friday, December 03, 2004 3:57 PM
> To: [log in to unmask]
> Subject: Re: [BP] Department of the InTerrier
>
>
> You seem to keep forgetting all the things you can get paid for.  Don't
> forget that underwater basketweaving is on the list, too.
> ----- Original Message -----
> From: "Jim Follett" <[log in to unmask]>
> To: <[log in to unmask]>
> Sent: Friday, December 03, 2004 16:40
> Subject: Re: [BP] Department of the InTerrier
>
>
> > You mean you can get paid for this?
> >
> > -----Original Message-----
> > From: Pre-patinated plastic gumby block w/ coin slot
> > [mailto:[log in to unmask]]On Behalf Of Pamela S.
> > Follett
> > Sent: Friday, December 03, 2004 2:27 PM
> > To: [log in to unmask]
> > Subject: Re: [BP] Department of the InTerrier
> >
> >
> > Hmmm - Virtual BP violin lessons.  Ralph should go stand by his mailbox
> and
> > wait for the checks to come rolling in.
> >
> > - Pam
> > ----- Original Message -----
> > From: "John Callan" <[log in to unmask]>
> > To: <[log in to unmask]>
> > Sent: Friday, December 03, 2004 14:34
> > Subject: Re: [BP] Department of the InTerrier
> >
> >
> > > Cuyler,
> > >
> > > I didn't know you played the violin?!  And apparently VERY well.
> > >
> > > I need a teacher!  Preferably one who's not too sensitive about the
> > > time between lessons and practices, or the lack of progress.  You
might
> > > be just the one I was looking for!  At least until we figure out that
> > > the technology exists to do this in real time.
> > >
> > > There is an exhibit I know, that has a beat up old violin with the
> > > strings aged and dangling.  The card reads something to the effect of,
> > > "This is a violin similar to the ones the pioneers brought with them
to
> > > ..."  I always found it offensive because, 1.  This was supposed to be
> > > a real honest to goodness professional museum, 2.  These were supposed
> > > to be real honest to goodness serious profession exibit people and 3.
> > > Its not that F'n Hard to find a real GD mid 19th century fiddle and
> > > present it in the condition it would have been in when played!  But
> > > then, I'm easily offended.
> > >
> > > -jc
> > >
> > > On Dec 3, 2004, at 1:18 PM, Cuyler Page wrote:
> > >
> > > > I find it increasingly appropriate to think of museum exhibits and
> > > > historic
> > > > restorations as "performance art".   They exist temporarily due to
> > > > artificial (art) subjective choices by individuals (professionals)
who
> > > > attempt to express what they believe (profess) about life's patterns
> > > > through
> > > > the work that is left for others to see, appreciate, and reflect on.
> > > >
> > > > cp in bc
> > > > (( player of the dulcian, performing the "Sonata Prima" (1626) by
> > > > Buonamente
> > > > for two violins, dulcian and continuo; and Monteverdi's "Scherzi
> > > > Musicale a
> > > > Tre Voci" (1607) this weekend.   The temporal nature of music is
such
> > > > a good
> > > > reminder of the temporal nature of anything we do.   It exists while
> > > > you do
> > > > it, and during a concert, you only get one chance at it (and have to
> > > > live
> > > > with the results). ))
> > > >
> > > > --
> > > > To terminate puerile preservation prattling among pals and the
> > > > uncoffee-ed, or to change your settings, go to:
> > > > <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> > > >
> > >
> > > --
> > > To terminate puerile preservation prattling among pals and the
> > > uncoffee-ed, or to change your settings, go to:
> > > <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> > >
> >
> > --
> > To terminate puerile preservation prattling among pals and the
> > uncoffee-ed, or to change your settings, go to:
> > <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> >
> > --
> > To terminate puerile preservation prattling among pals and the
> > uncoffee-ed, or to change your settings, go to:
> > <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> >
>
> --
> To terminate puerile preservation prattling among pals and the
> uncoffee-ed, or to change your settings, go to:
> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>
> --
> To terminate puerile preservation prattling among pals and the
> uncoffee-ed, or to change your settings, go to:
> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>

--
To terminate puerile preservation prattling among pals and the
uncoffee-ed, or to change your settings, go to:
<http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>

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