Well, cuz, yano, he's gotta go pee every once in a blue moon, at the artful
urinal.
----- Original Message -----
From: "John Callan" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Friday, December 03, 2004 15:18
Subject: Re: [BP] Department of the InTerrier


> You mean he's NOT at the mailbox?
>
> -jc
>
> On Dec 3, 2004, at 2:27 PM, Pamela S. Follett wrote:
>
> > Hmmm - Virtual BP violin lessons.  Ralph should go stand by his
> > mailbox and
> > wait for the checks to come rolling in.
> >
> > - Pam
> > ----- Original Message -----
> > From: "John Callan" <[log in to unmask]>
> > To: <[log in to unmask]>
> > Sent: Friday, December 03, 2004 14:34
> > Subject: Re: [BP] Department of the InTerrier
> >
> >
> >> Cuyler,
> >>
> >> I didn't know you played the violin?!  And apparently VERY well.
> >>
> >> I need a teacher!  Preferably one who's not too sensitive about the
> >> time between lessons and practices, or the lack of progress.  You
> >> might
> >> be just the one I was looking for!  At least until we figure out that
> >> the technology exists to do this in real time.
> >>
> >> There is an exhibit I know, that has a beat up old violin with the
> >> strings aged and dangling.  The card reads something to the effect of,
> >> "This is a violin similar to the ones the pioneers brought with them
> >> to
> >> ..."  I always found it offensive because, 1.  This was supposed to be
> >> a real honest to goodness professional museum, 2.  These were supposed
> >> to be real honest to goodness serious profession exibit people and 3.
> >> Its not that F'n Hard to find a real GD mid 19th century fiddle and
> >> present it in the condition it would have been in when played!  But
> >> then, I'm easily offended.
> >>
> >> -jc
> >>
> >> On Dec 3, 2004, at 1:18 PM, Cuyler Page wrote:
> >>
> >>> I find it increasingly appropriate to think of museum exhibits and
> >>> historic
> >>> restorations as "performance art".   They exist temporarily due to
> >>> artificial (art) subjective choices by individuals (professionals)
> >>> who
> >>> attempt to express what they believe (profess) about life's patterns
> >>> through
> >>> the work that is left for others to see, appreciate, and reflect on.
> >>>
> >>> cp in bc
> >>> (( player of the dulcian, performing the "Sonata Prima" (1626) by
> >>> Buonamente
> >>> for two violins, dulcian and continuo; and Monteverdi's "Scherzi
> >>> Musicale a
> >>> Tre Voci" (1607) this weekend.   The temporal nature of music is such
> >>> a good
> >>> reminder of the temporal nature of anything we do.   It exists while
> >>> you do
> >>> it, and during a concert, you only get one chance at it (and have to
> >>> live
> >>> with the results). ))
> >>>
> >>> --
> >>> To terminate puerile preservation prattling among pals and the
> >>> uncoffee-ed, or to change your settings, go to:
> >>> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> >>>
> >>
> >> --
> >> To terminate puerile preservation prattling among pals and the
> >> uncoffee-ed, or to change your settings, go to:
> >> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> >>
> >
> > --
> > To terminate puerile preservation prattling among pals and the
> > uncoffee-ed, or to change your settings, go to:
> > <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
> >
>
> --
> To terminate puerile preservation prattling among pals and the
> uncoffee-ed, or to change your settings, go to:
> <http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>
>

--
To terminate puerile preservation prattling among pals and the
uncoffee-ed, or to change your settings, go to:
<http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>