BULLAMANKA-PINHEADS Archives

The listserv where the buildings do the talking

BULLAMANKA-PINHEADS@LISTSERV.ICORS.ORG

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
"Donald B. White" <[log in to unmask]>
Reply To:
"Let us not speak foul in folly!" - ][<en Phollit
Date:
Tue, 18 Mar 2003 22:17:26 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (24 lines)
Message text written by "\"Let us not speak foul in folly!\" - ][<en
Phollit"
>Rach said something about how he
had heard about some jazz guy named Will Tatum [I think this was the guy's
name; I'm no jazz man], so Skitch took Rach to some dive in downtown LA
where
Tatum was playing live, and Rach really liked it.<

ART Tatum. Glad Rach liked it. Rachmaninoff was interesting to me (in my
sideline as collector of 78 rpm records) for being among the first
classical composers who was also a recording star. He was a Victor artist
from sometime in the 1910s until the 1940s. I have a few of his records.
Not all his recordings were of his own compositions. 

There was a strong influence of modern European classical music on some
jazz musicians, notable especially in the case of Bix Beiderbecke
(1903-1931), the 100th anniversary of whose birth was Monday, March 10th.
The entire notion of "cool jazz" may be said to derive from Bix. 
        
--
To terminate puerile preservation prattling among pals and the
uncoffee-ed, or to change your settings, go to:
<http://maelstrom.stjohns.edu/archives/bullamanka-pinheads.html>

ATOM RSS1 RSS2